Folk as the Sound of Self-Liberation: The Career and Performance Identity of Odetta
Christine Kelly
"Performing Race," Volume 4 (2017)
https://www.doi.org/10.21431/Z3H013
Music
Black Music Styles as Vehicles for Transnational and Trans-Racial Exchange: Perceptions of Blackness in the Music Scenes of London and Paris (1920s-1950s)
Veronica Chincoli
"Performing Race," Volume 4 (2017)
https://www.doi.org/10.21431/Z3W88X