Roundtable Discussion on “Cinema and Social Conflicts”
Editorial Board
Activism
Silent Suffragists: Activism, Popular Cinema, and Women’s Rights in 1910s America
Daniel Lawrence Aufmann
“Cinema and Social Conflicts,” Volume 6 (2020)
https://www.doi.org/10.21431/Z3HS3S
Counter-Information and Counter-Power: The Italian 60’s Newsreels
Alessia Lombardini
“Cinema and Social Conflicts,” Volume 6 (2020)
https://www.doi.org/10.21431/Z3S880
Urban Stories of Conflicts: The Filmic Activity of Squatters in the “Productive City” of Rotterdam
Renzo Sgolacchia
“Cinema and Social Conflicts,” Volume 6 (2020)
https://www.doi.org/10.21431/Z3X30G
Cahiers du cinéma’s Maoist Turn and the Front Culturel Révolutionnaire
Daniel Fairfax
“Cinema and Social Conflicts,” Volume 6 (2020)
https://www.doi.org/10.21431/Z31S3F
The Post-Cinematic Gesture: Redhack
Ekin Erkan
“Cinema and Social Conflicts,” Volume 6 (2020)
https://www.doi.org/10.21431/Z35K5C
Lang’s Fury Continues to Resonate in the #BlackLivesMatter Movement
Cynthia D. Porter
“Cinema and Social Conflicts,” Volume 6 (2020)
https://www.doi.org/10.21431/Z3988N
Global Migration, Local Charity: African Refugees, Food Provisioning, and the Declining Israeli Middle Class
Liora Gvion
"Food Fights," Volume 5 (2019)
https://www.doi.org/10.21431/Z32S3R
“O Mother Race”: Race, Italian Colonialism and the Fight to Keep Ethiopia Independent
Caroline Waldron Merithew
"Performing Race," Volume 4 (2017)
https://www.doi.org/10.21431/Z3C888
“If I can’t dance, it ain’t my revolution”: Queer-Feminist Inquiries into Pink Bloque’s Revolutionary Strategies
Dominique Grisard and Barbara Biglia
"Transformations without Revolutions?," Volume 2 (2015)
https://www.doi.org/10.21431/Z3QP40