Brazil in Social (Un)Rest: Cinema in a Provisional State
Fabio Andrade
“Cinema and Social Conflicts,” Volume 6 (2020)
https://www.doi.org/10.21431/Z3D30T
Cinema
Silent Suffragists: Activism, Popular Cinema, and Women’s Rights in 1910s America
Daniel Lawrence Aufmann
“Cinema and Social Conflicts,” Volume 6 (2020)
https://www.doi.org/10.21431/Z3HS3S
The Neglected Spaces of Feminism and Queer in Contemporary Italian Political Cinema
Dom Holdaway and Dalila Missero
“Cinema and Social Conflicts,” Volume 6 (2020)
https://www.doi.org/10.21431/Z3NK5Q
Counter-Information and Counter-Power: The Italian 60’s Newsreels
Alessia Lombardini
“Cinema and Social Conflicts,” Volume 6 (2020)
https://www.doi.org/10.21431/Z3S880
Urban Stories of Conflicts: The Filmic Activity of Squatters in the “Productive City” of Rotterdam
Renzo Sgolacchia
“Cinema and Social Conflicts,” Volume 6 (2020)
https://www.doi.org/10.21431/Z3X30G
Cahiers du cinéma’s Maoist Turn and the Front Culturel Révolutionnaire
Daniel Fairfax
“Cinema and Social Conflicts,” Volume 6 (2020)
https://www.doi.org/10.21431/Z31S3F
The Post-Cinematic Gesture: Redhack
Ekin Erkan
“Cinema and Social Conflicts,” Volume 6 (2020)
https://www.doi.org/10.21431/Z35K5C
Lang’s Fury Continues to Resonate in the #BlackLivesMatter Movement
Cynthia D. Porter
“Cinema and Social Conflicts,” Volume 6 (2020)
https://www.doi.org/10.21431/Z3988N
Deconstructing Zoe: Performing Race
Rosa Fong
"Performing Race," Volume 4 (2017)
https://www.doi.org/10.21431/Z3MS3Q